Macao 1724
Francois Valentijn
€ 650
Inter-Antiquariaat Mefferdt & De Jonge
- Sobre la obra de arteVIEW OF 17TH CENTURY MACAO “De Stad Macao”. Copper engraving from François Valentijn’s “Oud en Nieuw Oost-Indien”, engraved by Jan van Braam and published in Dordrecht by Gerard onder de Linden in 1724-1726. Coloured by a later hand. Size: 27,3 x 36 cm. A fine view of the city of Macao from Lappa Island, extending to the Barrier Gate at the north of the promontory. European vessels and junks sail the surrounding waters. After the Portuguese were allowed to permanently settle in Macau I 1557, both Chinese and Portuguese merchants flocked to Macau. It quickly became an important hub in the development of Portugal’s trade along three major routes: Macau–Malacca–Goa–Lisbon, Guangzhou–Macau–Nagasaki and Macau–Manila–Mexico. The Guangzhou–Macau–Nagasaki route was particularly profitable because the Portuguese acted as middlemen, shipping Chinese silks to Japan and Japanese silver to China, making significant profits in the process. Macau's golden age coincided with the union of the Spanish and Portuguese crowns, between 1580 and 1640. King Philip II of Spain was encouraged to not harm the status quo, to allow trade to continue between Portuguese Macau and Spanish Manila, and to not interfere with Portuguese trade with China. The alliance of Portugal with Spain meant that Portuguese colonies became targets for the Netherlands, which was involved at the time in a lengthy struggle for its independence from Spain, in the Eighty Years’ War. After the Dutch East India Company was founded in 1602, the Dutch unsuccessfully attacked Macau several times. As well as being an important trading post, Macau was a centre of activity for Catholic missionaries, as it was seen as a gateway for the conversion of the vast populations of China and Japan. In 1685, the privileged position of the Portuguese in trade with China ended, following a decision by the Kangxi Emperor of China to allow trade with all foreign countries. Over the next century, England, the Dutch Republic, France, Denmark, Sweden, the United States and Russia moved in, establishing factories and offices in Guangzhou and Macau. This view shows the major buildings and fortresses, including Fort de Baare, Fortress of Our Lady of Bom Parto, Fort St Paulo [??? - Monte Fort]. Churches and convents including, St. Laurentio, St. Angostino, de Seo [Cathedral], St. Dominic's Church, St. Francisco, Cloister St. Paulo, St. Pedro, St. Joan, St. Antoni, St. Lazarus’ Church and Nossa Senora de Gia. Also indicated is the Shineesches Pagode [A-ma Temple]. François Valentijn was a prominent historian of the Dutch East India Company (V.O.C.) who is best known for “Oud en Nieuw Oost Indiën”, his vast illustrated account of the Dutch trading empire in Asia. He travelled to the East Indies twice and served as Calvinist minister to Ambon between 1686 and 1694. In preparing this monumental work, he was given privileged access to the previously secret archives of the V.O.C., containing transcripts and copies of important earlier Dutch voyages. While Valentijn’s maps and diagrams were prized possessions, his scholarship, judging by 21st century standards was unscrupulous. Valentijn’s use of the products of other scientists’ and writers’ intellectual labour and his passing it off as his own, reveals a penchant for self-aggrandisement. Price: Euro 650,-
- Sobre el artista
François Valentijn (Dordrecht, 17 de abril de 1666 - La Haya, 6 de agosto de 1727) fue un ministro, historiador y cronista neerlandés de excepcional importancia para el conocimiento de Asia a principios del siglo XVIII. Fue enviado dos veces a Oriente al servicio de la Compañía Neerlandesa de las Indias Orientales (VOC), experiencia que sentó las bases de la monumental obra de su vida, Oud en Nieuw Oost-Indiën (Antiguas y Nuevas Indias Orientales).
A su regreso a los Países Bajos, Valentijn se dedicó a recopilar esta extensa e inigualable obra, sin parangón ni en su alcance ni en su nivel de detalle. En una época en la que la VOC mantenía su información estrictamente confidencial, logró acumular un vasto corpus de conocimientos utilizando todas las fuentes orales y escritas que pudo obtener. Su fuerza residía no solo en su curiosidad y tenacidad, sino también en su talento como narrador: Valentijn escribía con viveza, precisión y una perspectiva extraordinariamente amplia. En Oud en Nieuw Oost-Indiën (Antiguas y Nuevas Indias Orientales), glorificó explícitamente el poder y el imperio neerlandeses en Asia. Valentijn era un nacionalista acérrimo y consideraba su misión primordial describir el poder neerlandés en Oriente y demostrar así que la República no había perdido la fortaleza de sus antepasados bátavos. En el prefacio de su obra, enfatizó su deseo de visibilizar el progreso y la gloria de los Países Bajos a lo largo de los siglos.
Esta actitud le valió la reputación de ser un historiador algo egocéntrico y vanidoso. Sin embargo, esta crítica no resta valor a su obra. Es precisamente a través de sus detalladas descripciones que la interacción entre europeos y asiáticos se hace vívidamente visible: no solo las relaciones de poder coloniales, sino también los encuentros culturales, los malentendidos y las influencias mutuas tienen cabida en su narrativa.
François Valentijn sigue siendo, por lo tanto, una figura compleja: a la vez nacionalista y cronista, predicador e historiador, escritor vanidoso y fuente indispensable. Su obra sigue siendo un texto clave para comprender la presencia holandesa en Asia y la historia mundial más amplia del período moderno temprano.
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