François-Théodore Legras – Tall “Fleurs de Pommier” apple blossoms vase 1900 - 1909

Artista Desconocido

VidrioCamafeo
41 cm, ø 12 cm
ConditionMint
Precio a consultar

Antiques Emporium

• Sobre la obra de arte
  François-Théodore Legras was a celebrated French glassmaker renowned for his significant contributions to the Art Nouveau movement. Born in 1839 in the Vosges region, Legras rose to prominence in the late 19th and early 20th centuries, becoming a key figure in the world of decorative arts. His work is characterized by its intricate designs, innovative techniques, and a profound appreciation for nature, all of which resonate strongly in his glass creations.
  
  One of Legras’s most exquisite and refined works is the series “Fleurs de pommier,” which translates to “Apple Blossoms.” This series is widely regarded as his masterpiece, encapsulating the essence of the Art Nouveau style with its fluid forms and organic motifs. The vases in this series reflect a profound Japanese influence, which was a significant source of inspiration for many Art Nouveau artists. This cross-cultural artistic exchange is evident in the delicate, nature-inspired themes and the exceptional attention to detail.
  
  The “Fleurs de pommier” vase, in particular, is a stunning representation of Legras’s artistry and technical skill. The glass of the vase is imbued with breathtaking colors that evoke the serene beauty of an early spring morning. The subtle hues blend seamlessly, creating a visual symphony that brings to life the freshness and vitality of apple blossoms in full bloom. This vibrant yet gentle color palette enhances the overall sense of elegance and refinement.
  
  What truly sets this vase apart are the intricate details of the apple blossom branches, leaves, and flowers, meticulously rendered with multicolor enamel paint. Each element is crafted with great finesse, showcasing Legras’s mastery in manipulating glass and enamel to achieve such lifelike representations. The branches twist and turn gracefully, the leaves are rendered with a delicate touch, and the blossoms themselves appear almost tangible, as if ready to be plucked.
  
  Adding to the vase’s allure is the signature “Legras” inscribed on its lower side, a mark of authenticity and craftsmanship. Additionally, an original label from the reseller “Bronzes d’art Oudir, Marseille” is applied over an older label, creating an intriguing mystery about what lies beneath. This hidden label adds an element of historical curiosity and depth to the vase’s provenance, sparking the imagination about its journey through time and ownership.
  
  This vase is not just a piece of decorative art; it is a celebration of nature’s ephemeral beauty, frozen in time. It embodies the spirit of Art Nouveau, with its emphasis on natural forms, intricate details, and harmonious design. Legras’s “Fleurs de pommier” vase is a testament to his vision and craftsmanship, making it a cherished piece for collectors and art enthusiasts alike.
  
  In conclusion, François-Théodore Legras’s “Fleurs de pommier” series stands as a pinnacle of his career, exemplifying the most beautiful and refined work he ever produced. The strong Japanese influence, combined with the hallmarks of Art Nouveau and the exquisite execution in multicolor enamel paint, makes this vase a remarkable tribute to the beauty of nature and the skill of its creator. The signature and the mysterious labels add further layers of intrigue and authenticity, enhancing its value and appeal.
  
  Dimensions:
  Height: 415mm / 16.34”
  Diameter opening: 40mm / 1.57”
  Diameter top: 57mm / 2.24”
  Diameter base: 125mm / 4.92″
  
  Weight: 1,35 kg / 2.21 lb
  
  Condition: Mint
  
  Provenance: A French lady collection
  
  
  Literature:
  Michel, Fouchet & Vitrat – Legras Verrier – Page 162.
• Sobre el artista

  Puede suceder que un artista o creador sea desconocido.

  Algunas obras no deben determinarse por quién está hecho o por (un grupo de) artesanos. Algunos ejemplos son estatuas de la Antigüedad, muebles, espejos o firmas que no son claras o legibles, pero también algunas obras no están firmadas en absoluto.

  También puedes encontrar la siguiente descripción:

  •"Atribuido a …." En su opinión, probablemente una obra del artista, al menos en parte.

  •“Estudio de….” o “Taller de” En su opinión, una obra ejecutada en el estudio o taller del artista, posiblemente bajo su supervisión

  •“Círculo de…” En su opinión, una obra del período del artista que muestra su influencia, estrechamente asociado con el artista pero no necesariamente su alumno.

  •"Estilo de …." o “Seguidor de…”. En su opinión, una obra ejecutada al estilo del artista pero no necesariamente por un alumno; puede ser contemporáneo o casi contemporáneo

  •"Manera de …." En su opinión una obra al estilo del artista pero de fecha posterior

  •"Después …." En su opinión, una copia (de cualquier fecha) de una obra del artista

  •“Firmado…”, “Fechado…” o “Inscrito” En su opinión, la obra ha sido firmada/fechada/inscrita por el artista. La adición de un signo de interrogación indica un elemento de duda.

  •“Con firma…”, “Con fecha…”, “Con inscripción…” o “Lleva firma/fecha/inscripción” en su opinión la firma/fecha/inscripción ha sido añadida por alguien que no es el artista

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