Newton discovering gravity 1992
Dennis Oppenheim
Tinta
90 ⨯ 63 cm
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Hans den Hollander Prints
- Sobre la obra de arteOriginal lithograph
"Newton discovering gravity". From the 50 original works of the Olympic Centennial Suite, the IOC printed 250 lithographs of each work, all measuring 63/90cm, on Arches vellum paper (270 grams), signed by the artist and numbered.
Dennis Oppenheim recreated, on a two-dimensional support, his artistic installation NEWTON DISCOVERING GRAVITY, made in 1984 in Artpark Lewiston, New York, where artists spent summers creating temporary artworks outdoors. This sculpture was a half transparent head in stainless steal mesh work which was also the platform for a firework extravaganza on 1 August 1984.
The "Olympic Centennial Suite ", brings together 50 works by international artists who are representative of the variety of contemporary artistic tendencies. It was created on the occasion of the centenary of the foundation of the International Olympic Committee in 1994. For the choice of the works, the IOC brought in two prestigious French art critics, Gérard Xuriguera and Francis Parent. More than two years were necessary to constitute this Suite, with the aim of representing, in just 50 works, the multiplicity of creative work produced over the last five decades, from the figurative to the abstract, from hyperrealism to minimalism, from the new figurative school to abstract expressionism, as well as geometrism, conceptual art, and body art. It was decided that each international artist selected should create a work on a two-dimensional support. Some of these artists, aware of the importance of the message of the Olympic Movement, have rendered this spirit a special homage, while always remaining faithful to their own personal style. This "Suite" can be qualified as the jewel of the art collection of The Olympic Museum. - Sobre el artistaDennis Oppenheim (1938-2011) fue un artista conceptual, artista de performance, artista de la tierra, escultor y fotógrafo estadounidense. Oppenheim nació en Electric City, Washington. Poco después, su familia regresó a su hogar en el área de la Bahía de San Francisco. Después de obtener una Maestría en Bellas Artes (1965) de la Universidad de Stanford en Palo Alto, Oppenheim se mudó a Nueva York en 1966, donde fue profesor de arte en la guardería y la escuela secundaria. Oppenheim tuvo su primera exposición individual en 1968 en la Galería John Gibson en la ciudad de Nueva York. Hasta su muerte vivió y trabajó en la ciudad de Nueva York. El land art de Oppenheim incluía diseños tallados en campos de trigo, y pasó a usar su propio cuerpo en obras de performance como Reading Position for Second Degree Burn (1970). Otras obras incluyen Blood Breathe (1996), dos narices gigantes invertidas, y Lightening Bolt Man (2001), un cadáver clavado al suelo por un rayo de fibra de vidrio. En la década de 1990 también comenzó a ampliar elementos cotidianos, como pinceles y conos de seguridad, para que sirvieran como pieza central de sus instalaciones.
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