North- and South Pole 1696
Pieter Mortier
PapelImpresión
43 ⨯ 52 cm
€ 4.950
Inter-Antiquariaat Mefferdt & De Jonge
- Sobre la obra de artePOLAR PROJECTION MAP ON TWO HEMISPHERES “Les Deux Poles Arctique ou Septentrional, et Antarctique ou Meridional, ou Description des Terres Arctiques et Antarctiques ; et des Pays circomvoisins jusques aux 45. Degres de Latitude.” (The two poles – Arctic on the northern hemisphere, and Antarctic on the southern, as well as the description of the Arctic and Antartic earth and the surrounding lands up until 45 degrees latitude.) Copper engraving published by Pieter Mortier in Amsterdam after the design by Nicolas Sanson. The map was included in Pieter Mortier's Atlas Nouveau in 1696. With original hand colouring. Size: approx. 43 x 52 cm. This is a beautiful example of Pieter Mortier's double-hemisphere map of the north and south poles. The primary hemispheres focus on the northern and southern thirds of the world. The secondary hemispheres show the entire world, centered respectively on Paris and its antipodes. The geographical content of the primary hemispheres is drawn from the 1657 map of French cartographer Nicolas Sanson (whose title is shared by the present work.) These do not constitute a world map per se. The polar projections end at 45º south and north respectively. The southern polar projection on the right is dominated by a massive southern continent, marked “Terre Magellanique Australe et Incogneue” (the southern and unknown land of Magellanica.) The northern hemisphere shows Europe north of central France and the Black Sea, Asia north of the Caspian Sea and Turkestan, and Spitzbergen and Nova Zemla are shown as partial coastlines. North America shows the Great Lakes in their unfinished form. The northern part of North America is shown including the Saint Lawrence River, Newfoundland, and the Canadian Maritimes. Hudson's Bay, Button's Bay, Baffin's Bay, and the Davis Strait are all shown, with numerous openings in the coastline suggesting the possibility of a Northwest Passage. Greenland is shown as a landmass contiguous with North America, and nearly connecting with Spitzbergen. Additionally, the North American landmass reaches westward to include the speculative “Terre de Yezo, ou Iesso”, which contemporaneous cartographers presented as beginning as the island of Hokkaido. The decorative elements - up to and including the framing of the secondary hemispheres, and the cartouche banner - are copied from Nicolas Visscher’s world map of 1658. Visscher's artist - the Dutch painter Nicolaes Berchem - created nuanced, layered allegorical scenes representing each of the four elements in the map's four corners. The scene for 'Air' in the upper right corner shows Zeus and Hera in a chariot pulled by eagles, with putti flying in attendance. For 'Earth', in a woodland scene at the bottom right, Demeter gifts a hungry mankind the fruits of the Earth, in an overflowing cornucopia. The scene representing 'Fire' in the upper left corner takes place in the underworld, showing the abduction of Persephone by Hades. In the aquatic scene in the lower left, Poseidon woos Aphrodite in a hippocampus-drawn chariot, with mermen bugling wetly from conches and playing tambourines. The top ancillary hemisphere is flanked by angelic figures, while the bottom is flanked by a mermaid (facing the water scene) and a satyr facing the Earth vignette. The cruxes of the four hemispheres are each peopled with a trio of putti. Price: Euro 4.950,-
- Sobre el artista
El primer Pieter Mortier (Leiden, 1661 - Amsterdam, 1711) era hijo de un refugiado político de Francia, y se convirtió en cartógrafo y grabador. Viajó a París entre 1681 y 1685 y luego regresó a Ámsterdam, donde trabajó como librero desde 1685 hasta 1711.
Obtuvo el privilegio en 1690 de publicar mapas y atlas de editoriales francesas en Amsterdam para el mercado holandés. Usó este privilegio para ganar un conjunto similar de privilegios para imprimir una "biblia impresa ilustrada" en 1700. También conocida como "Biblia de Mortier" (holandés: Mortierbijbel o Prentbijbel Mortier), el nombre oficial de este libro era Historie des Ouden en Nieuwen Testaments, verrykt met meer dan vierhonderd printverbeeldingen in koper gesneeden ("Historia del Antiguo y Nuevo Testamento: enriquecida con más de cuatrocientas ilustraciones impresas cortadas en cobre").
En Amsterdam, estuvo ubicado en Middeldam, 1685-1686, y luego en Vijgendam, 1686-1711. Su letrero fue "Stad van Parijs" entre 1685 y 1700. Se sabe que usó una dirección editorial ficticia en Amberes y también en Londres. El Short Title Catalog Holanda atribuye la publicación de 261 títulos a Pieter Mortier I.
Durante la primera década del siglo XVIII, Mortier desafió a la hugonote Estienne Roger por el dominio del mercado de las partituras polifónicas mediante la implementación de una guerra de precios.
Se casó con Amelia 's-Gravensande (1666-1719), quien, como viuda, dirigió su negocio editorial hasta su muerte. La pareja tuvo dos hijos, Pieter Mortier II (ver más abajo) y Cornelis Mortier (1699–1783), quienes, en sociedad con Johannes Covens I (1697–1774), comenzaron la compañía editorial de mapas Covens & Mortier (1721–1866) que se convirtió en la mayor editorial cartográfica del siglo XVIII.
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